Example Output

• Tyler Labine on Playing Both Comedy and Drama: “In order to know what’s funny, you need to know what’s not funny” – Daily Actor
• Chrissy Metz Stars in Berlin Drug Addiction Drama ‘Stay Awake,’ First Clip Unveiled (EXCLUSIVE)
• VIDEO: CATS Star Francesca Hayward Used to Pretend to be Victoria as a Child
• SBIFF 2022 Launches with Oscar Tributes, from Kristen Stewart to Will Smith
• Meet the Fake ‘Anna,’ ‘Marry Me’ and More Romcoms, Remembering Whitney’s Super Bowl Anthem, Winter Olympics and Kevin Hart
• Rosa Salazar, Keean Johnson, Robert Rodriguez Interview – Alita: Battle Angel
• Da 5 Blood’s Paul Walter Hauser “Eternally Grateful” He Got to Be in a Film with Chadwick Boseman
• When Dwayne Johnson’s Fast & Furious Co-Star Tyrese Gibson Mocked Hobbs & Shaw’s Poor Box Office Numbers
• Exclusive: John Oliver Reveals the Origins of the Adam Driver Joke on ‘Last Week Tonight’ & How He Appeared on the Series
• Matthew McConaughey Net Worth

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      ["title"]=>
      string(137) "Tyler Labine on Playing Both Comedy and Drama: “In order to know what’s funny, you need to know what’s not funny” – Daily Actor"
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      string(163) "https://bestmovies.movs.world/movie-actors/tyler-labine-on-playing-both-comedy-and-drama-in-order-to-know-whats-funny-you-need-to-know-whats-not-funny-daily-actor/"
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      string(837) "“I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V.” – Tyler Labine Actor Tyler Labine recently appeared in the thriller Escape Room at the same time he has been appearing on the ... Read more"
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“I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V.” – Tyler Labine
Actor Tyler Labine recently appeared in the thriller Escape Room at the same time he has been appearing on the NBC medical drama New Amsterdam. It’s not surprising because Labine’s thirty-year acting career has been filled with variety in terms of media (television and film) and material (comedy and drama). In an conversation with Flickering Myth, Labine speaks extensively about the variety in his career and what he has learned from acting in so many different types of projects.
Labine has played a variety of roles since he began acting in his early teens, but he’s most likely best known for his starring role in the 2010 comedy Tucker and Dale vs Evil. In contrast, in films like Escape Room, Labine plays dramatic roles. On knowing how to perform in both comedy and drama, Labine says:
“I feel like, what I’ve always said is, in order to know what’s funny, you need to know what’s not funny. You can’t stand on a platform if you don’t know what’s sort of the opposite of what you’re trying to achieve. So I feel like, as a comedian, the way that we manipulate people is pretty formulaic- it’s because we can understand exactly what’s not funny, and then move you away from that. It’s almost like a magic trick, you know, it’s all about distraction and misdirection.
“So I totally think that’s the case with most comedians, which is why audiences have been constantly and consistently dazzled by these funny actors taking dramatic turns. People turn in these amazing dramatic performances and everyone’s like ‘how did they do it? They’re so funny normally.’ Yeah, but that’s why, because they’ve got a real darkness and an understanding of tragedy. Like the drama masks, you’ve got to have both happy and sad, you know?”
In addition to playing both comedy and drama, Labine is also a veteran of both television and film. While both media have their challenges in terms of schedule, Labine explains how one has prepared him for the other:

I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V. And when you get into a situation like with Escape Room, where we didn’t have all the time in the world and we were shooting a pretty high page count as well, it feels familiar: it feels like I can rely on the fact that I know you can get what you need out of me in one or two takes. I don’t need 20 takes to nail something. That’s never the issue. I’ve been acting for 30 years, so I feel like I’ve gotten pretty proficient at getting what directors need right out of the gates.
The real issue, for a lot of actors who have been doing it a long time, is keeping it going. If you want to do 15-20 takes of me doing the same thing, I have to come through every time cause you could use any one of those takes.

Related

We would like to thank the  writer of this  post for this  incredible  material



Tyler Labine on Playing Both Comedy and Drama: “In order to know what’s funny, you need to know what’s not funny” – Daily Actor

"
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      string(837) "“I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V.” – Tyler Labine Actor Tyler Labine recently appeared in the thriller Escape Room at the same time he has been appearing on the ... Read more"
      ["atom_content"]=>
      string(4614) "

“I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V.” – Tyler Labine
Actor Tyler Labine recently appeared in the thriller Escape Room at the same time he has been appearing on the NBC medical drama New Amsterdam. It’s not surprising because Labine’s thirty-year acting career has been filled with variety in terms of media (television and film) and material (comedy and drama). In an conversation with Flickering Myth, Labine speaks extensively about the variety in his career and what he has learned from acting in so many different types of projects.
Labine has played a variety of roles since he began acting in his early teens, but he’s most likely best known for his starring role in the 2010 comedy Tucker and Dale vs Evil. In contrast, in films like Escape Room, Labine plays dramatic roles. On knowing how to perform in both comedy and drama, Labine says:
“I feel like, what I’ve always said is, in order to know what’s funny, you need to know what’s not funny. You can’t stand on a platform if you don’t know what’s sort of the opposite of what you’re trying to achieve. So I feel like, as a comedian, the way that we manipulate people is pretty formulaic- it’s because we can understand exactly what’s not funny, and then move you away from that. It’s almost like a magic trick, you know, it’s all about distraction and misdirection.
“So I totally think that’s the case with most comedians, which is why audiences have been constantly and consistently dazzled by these funny actors taking dramatic turns. People turn in these amazing dramatic performances and everyone’s like ‘how did they do it? They’re so funny normally.’ Yeah, but that’s why, because they’ve got a real darkness and an understanding of tragedy. Like the drama masks, you’ve got to have both happy and sad, you know?”
In addition to playing both comedy and drama, Labine is also a veteran of both television and film. While both media have their challenges in terms of schedule, Labine explains how one has prepared him for the other:

I’m on an hour-long drama; we shoot each episode in eight days, which is a lot for 58 pages of shooting, so proficiency of your craft really gets honed in on T.V. And when you get into a situation like with Escape Room, where we didn’t have all the time in the world and we were shooting a pretty high page count as well, it feels familiar: it feels like I can rely on the fact that I know you can get what you need out of me in one or two takes. I don’t need 20 takes to nail something. That’s never the issue. I’ve been acting for 30 years, so I feel like I’ve gotten pretty proficient at getting what directors need right out of the gates.
The real issue, for a lot of actors who have been doing it a long time, is keeping it going. If you want to do 15-20 takes of me doing the same thing, I have to come through every time cause you could use any one of those takes.

Related

We would like to thank the  writer of this  post for this  incredible  material



Tyler Labine on Playing Both Comedy and Drama: “In order to know what’s funny, you need to know what’s not funny” – Daily Actor

"
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      string(99) "Chrissy Metz Stars in Berlin Drug Addiction Drama ‘Stay Awake,’ First Clip Unveiled (EXCLUSIVE)"
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      ["description"]=>
      string(743) "Chrissy Metz, the Emmy and Golden Globe-nominated star of “This Is Us,” stars alongside “It” actor Wyatt Oleff and Fin Argus in Jamie Sisley’s drama “Stay Awake,” which premieres at the Berlin Film Festival this week. The feature — which is based on Sisley’s 2015 short film of the same name — centers on brothers ... Read more"
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Chrissy Metz, the Emmy and Golden Globe-nominated star of “This Is Us,” stars alongside “It” actor Wyatt Oleff and Fin Argus in Jamie Sisley’s drama “Stay Awake,” which premieres at the Berlin Film Festival this week.
The feature — which is based on Sisley’s 2015 short film of the same name — centers on brothers Ethan (Oleff) and Derek (Argus), who are trying their best to navigate the pressures of teenage life while tending to their mother’s (Metz) debilitating prescription drug addiction.
Based on Sisley’s experience growing up in small-town America, “Stay Awake” is billed as “a personal exploration of the roller coaster ride that families go on while trying to help their loved ones battle a disease that affects millions every day.”
In an exclusive clip shared with Variety, the two brothers are shown arguing about the money needed to pay for their mother’s rehabilitation treatment. The subject matter is especially resonant given the recent representation of America’s drug crisis on screen in shows such as Hulu’s “Dopesick.”
“The themes and characters in ‘Stay Awake’ mean the world to me since they’re based on my childhood. My mom has fought an addiction to prescription drugs and opioids for most of her life,” said Sisley. “As teens, my brother and I tried our best to aid her through relapses, cycle her through treatment centers, and encourage her to seek out a sober lifestyle.
“When I first started watching films about addiction, I realized that most were from the point of view of the addict,” added the director. “One of the biggest reasons I wanted to make ‘Stay Awake’ was to offer an alternative POV to addiction — the roller coaster ride that caretakers go on while helping someone they love through their disease. In many ways, this film is a love letter to the caretaker.”
“Stay Awake” has its world premiere in Berlin on Saturday (Feb. 12). WME is representing sales globally.
Watch an exclusive clip from the film below:



		optional screen reader	


We  want to thank the  writer of this  write-up for this  amazing  web content



Chrissy Metz Stars in Berlin Drug Addiction Drama ‘Stay Awake,’ First Clip Unveiled (EXCLUSIVE)

"
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      string(743) "Chrissy Metz, the Emmy and Golden Globe-nominated star of “This Is Us,” stars alongside “It” actor Wyatt Oleff and Fin Argus in Jamie Sisley’s drama “Stay Awake,” which premieres at the Berlin Film Festival this week. The feature — which is based on Sisley’s 2015 short film of the same name — centers on brothers ... Read more"
      ["atom_content"]=>
      string(3722) "

Chrissy Metz, the Emmy and Golden Globe-nominated star of “This Is Us,” stars alongside “It” actor Wyatt Oleff and Fin Argus in Jamie Sisley’s drama “Stay Awake,” which premieres at the Berlin Film Festival this week.
The feature — which is based on Sisley’s 2015 short film of the same name — centers on brothers Ethan (Oleff) and Derek (Argus), who are trying their best to navigate the pressures of teenage life while tending to their mother’s (Metz) debilitating prescription drug addiction.
Based on Sisley’s experience growing up in small-town America, “Stay Awake” is billed as “a personal exploration of the roller coaster ride that families go on while trying to help their loved ones battle a disease that affects millions every day.”
In an exclusive clip shared with Variety, the two brothers are shown arguing about the money needed to pay for their mother’s rehabilitation treatment. The subject matter is especially resonant given the recent representation of America’s drug crisis on screen in shows such as Hulu’s “Dopesick.”
“The themes and characters in ‘Stay Awake’ mean the world to me since they’re based on my childhood. My mom has fought an addiction to prescription drugs and opioids for most of her life,” said Sisley. “As teens, my brother and I tried our best to aid her through relapses, cycle her through treatment centers, and encourage her to seek out a sober lifestyle.
“When I first started watching films about addiction, I realized that most were from the point of view of the addict,” added the director. “One of the biggest reasons I wanted to make ‘Stay Awake’ was to offer an alternative POV to addiction — the roller coaster ride that caretakers go on while helping someone they love through their disease. In many ways, this film is a love letter to the caretaker.”
“Stay Awake” has its world premiere in Berlin on Saturday (Feb. 12). WME is representing sales globally.
Watch an exclusive clip from the film below:



		optional screen reader	


We  want to thank the  writer of this  write-up for this  amazing  web content



Chrissy Metz Stars in Berlin Drug Addiction Drama ‘Stay Awake,’ First Clip Unveiled (EXCLUSIVE)

"
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      ["title"]=>
      string(76) "VIDEO: CATS Star Francesca Hayward Used to Pretend to be Victoria as a Child"
      ["link"]=>
      string(119) "https://bestmovies.movs.world/movie-actors/video-cats-star-francesca-hayward-used-to-pretend-to-be-victoria-as-a-child/"
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        string(10) "Lance Kind"
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      ["pubdate"]=>
      string(31) "Fri, 11 Feb 2022 15:35:17 +0000"
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      ["description"]=>
      string(683) "Francesca Hayward was a guest on Thursday’s episode of Jimmy Kimmel LIVE to talk about starring in the highly-anticipated Cats movie. During the interview, Hayward talks being a Principal Dancer for the Royal Ballet, being in the movie Cats, the most surreal day of her life with Taylor Swift, and having a cat behavioral coach. ... Read more"
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      array(1) {
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Francesca Hayward was a guest on Thursday’s episode of Jimmy Kimmel LIVE to talk about starring in the highly-anticipated Cats movie. During the interview, Hayward talks being a Principal Dancer for the Royal Ballet, being in the movie Cats, the most surreal day of her life with Taylor Swift, and having a cat behavioral coach.
Hayward talks about what made her decide to audition, and she tells Kimmel that, “When I was younger, in my living room, I used to put Cats the stage musical video on and I used to copy Victoria. So when I heard that I could potentially be her in the new movie, I’m just going to go for it.”
Hayward goes on to tell Kimmel about the film’s “cat lessons,” and that the cast “literally did Cat School every day.”
She goes on to talk about one of the most surreal moments for her on the set of Cats. when Taylor Swift taught her the song “Beautiful Ghosts.” Hayward said, “She gave me a private concert of the song for the first time. Just me, her, and a pianist.” She continued, “So she sang me the whole song, just to me in a room, and it was really just surreal.”

Watch the full interview below!
The film stars James Corden, Judi Dench, Jason Derulo, Idris Elba, Jennifer Hudson, Ian McKellen, Taylor Swift, Rebel Wilson and Royal Ballet principal dancer Francesca Hayward, in her feature film debut.
Featuring Lloyd Webber’s iconic music and a world-class cast of dancers under the guidance of Tony-winning choreographer Andy Blankenbuehler (Hamilton, In the Heights), the film reimagines the musical for a new generation with spectacular production design, state-of-the-art technology, and dance styles ranging from ballet to contemporary, hip-hop to jazz, street to tap.
Universal Pictures presents a Working Title Films and Amblin Entertainment production, in association with Monumental Pictures and The Really Useful Group. Cats is produced by Debra Hayward, Tim Bevan, Eric Fellner and Tom Hooper. The screenplay is by Lee Hall (Billy Elliot, Rocketman) and Hooper, based on Old Possum’s Book of Practical Cats by T.S. Eliot and the stage musical by Lloyd Webber. Cats is executive produced by Lloyd Webber, Steven Spielberg, Angela Morrison and Jo Burn.

We would like to  give thanks to the author of this  write-up for this awesome content



VIDEO: CATS Star Francesca Hayward Used to Pretend to be Victoria as a Child

"
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      string(683) "Francesca Hayward was a guest on Thursday’s episode of Jimmy Kimmel LIVE to talk about starring in the highly-anticipated Cats movie. During the interview, Hayward talks being a Principal Dancer for the Royal Ballet, being in the movie Cats, the most surreal day of her life with Taylor Swift, and having a cat behavioral coach. ... Read more"
      ["atom_content"]=>
      string(3793) "

Francesca Hayward was a guest on Thursday’s episode of Jimmy Kimmel LIVE to talk about starring in the highly-anticipated Cats movie. During the interview, Hayward talks being a Principal Dancer for the Royal Ballet, being in the movie Cats, the most surreal day of her life with Taylor Swift, and having a cat behavioral coach.
Hayward talks about what made her decide to audition, and she tells Kimmel that, “When I was younger, in my living room, I used to put Cats the stage musical video on and I used to copy Victoria. So when I heard that I could potentially be her in the new movie, I’m just going to go for it.”
Hayward goes on to tell Kimmel about the film’s “cat lessons,” and that the cast “literally did Cat School every day.”
She goes on to talk about one of the most surreal moments for her on the set of Cats. when Taylor Swift taught her the song “Beautiful Ghosts.” Hayward said, “She gave me a private concert of the song for the first time. Just me, her, and a pianist.” She continued, “So she sang me the whole song, just to me in a room, and it was really just surreal.”

Watch the full interview below!
The film stars James Corden, Judi Dench, Jason Derulo, Idris Elba, Jennifer Hudson, Ian McKellen, Taylor Swift, Rebel Wilson and Royal Ballet principal dancer Francesca Hayward, in her feature film debut.
Featuring Lloyd Webber’s iconic music and a world-class cast of dancers under the guidance of Tony-winning choreographer Andy Blankenbuehler (Hamilton, In the Heights), the film reimagines the musical for a new generation with spectacular production design, state-of-the-art technology, and dance styles ranging from ballet to contemporary, hip-hop to jazz, street to tap.
Universal Pictures presents a Working Title Films and Amblin Entertainment production, in association with Monumental Pictures and The Really Useful Group. Cats is produced by Debra Hayward, Tim Bevan, Eric Fellner and Tom Hooper. The screenplay is by Lee Hall (Billy Elliot, Rocketman) and Hooper, based on Old Possum’s Book of Practical Cats by T.S. Eliot and the stage musical by Lloyd Webber. Cats is executive produced by Lloyd Webber, Steven Spielberg, Angela Morrison and Jo Burn.

We would like to  give thanks to the author of this  write-up for this awesome content



VIDEO: CATS Star Francesca Hayward Used to Pretend to be Victoria as a Child

"
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      ["title"]=>
      string(75) "SBIFF 2022 Launches with Oscar Tributes, from Kristen Stewart to Will Smith"
      ["link"]=>
      string(118) "https://bestmovies.movs.world/movie-actors/sbiff-2022-launches-with-oscar-tributes-from-kristen-stewart-to-will-smith/"
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      ["description"]=>
      string(691) "Santa Barbara is a key stop on the awards circuit, with a range of starry panels and tributes. Under executive director Roger Durling, the Santa Barbara International Film Festival (March 2–12, 2022) has thrived by surfing the awards season wave, programming a ton of onstage interviews with Oscar contenders. This year’s edition is a hybrid ... Read more"
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Santa Barbara is a key stop on the awards circuit, with a range of starry panels and tributes.


Under executive director Roger Durling, the Santa Barbara International Film Festival (March 2–12, 2022) has thrived by surfing the awards season wave, programming a ton of onstage interviews with Oscar contenders. This year’s edition is a hybrid of last year’s pandemic festival, when tributes and panels were live-streamed and the films were shown online and at two free oceanfront drive-in theatres. 2022 marks a return to live events. “After two years of incertitude,” said Durling, “it feels good to know we can continue to count on film and the festival to give us a sense of comfort and continuity.”
Every year, screenwriters, directors, and producers promote their films on panels, and the likes of Brad Pitt, Bong Joon-ho, Adam Driver, Renée Zellweger, Laura Dern, Viola Davis, Lupita Nyong’o, Saoirse Ronan, Bruce Dern, Jeff Bridges, Melissa McCarthy, Isabelle Huppert, Viggo Mortensen, Rami Malek, Glenn Close, Ben Affleck, Christopher Nolan, and Sam Elliott submit to in-depth tributes.

Related


Related

The panels, tributes, special screenings lure local cinephiles and Academy members eager to hear Oscar contenders talk about their creative process. All tributes and panels will be in person at the historic Arlington Theatre as well as streamed live. One of several special screenings is Oscar frontrunner “The Power of the Dog,” followed by a Q&A with New Zealand auteur Jane Campion on Thursday, March 3 at 2 p.m.

“King Richard”

©Warner Bros/Courtesy Everett Collection
On the first weekend, on Friday, March 4 at 8 p.m., I will interview The American Riviera Award honoree, Oscar nominee Kristen Stewart (“Spencer”). The next day on Saturday, March 5 at 11 a.m. I will moderate the annual “It Starts with the Script” Writers Panel, which will be followed by Los Angeles Times awards editor Glenn Whipp’s Producers Panel at 2 p.m., and the following weekend, Madelyn Hammond’s Women’s Panel on Sunday, March 12, at 11 a.m.
The Virtuosos Award, moderated by TCM’s Dave Karger, will honor Caitriona Balfe and Jamie Dornan of “Belfast,” Ariana DeBose (“West Side Story”), Alana Haim (“Licorice Pizza”), Emilia Jones and Troy Kotsur of “CODA,” Simon Rex (“Red Rocket”), and Saniyya Sidney (“King Richard”) on Saturday, March 5 at 8:00pm.
The Outstanding Performers of the Year, Will Smith and Aunjanue Ellis, will be interviewed on Sunday, March 6, at 8 p.m. by The Hollywood Reporter’s Scott Feinberg; The Cinema Vanguard Award goes to Benedict Cumberbatch on Wednesday, March 9, at 8 p.m., moderated by Deadline’s Pete Hammond. And as always, Hollywood historian Leonard Maltin will grill the honorees of the the Maltin Modern Master Award (Javier Bardem and Nicole Kidman), on Thursday, March 10, at 8 p.m.
Still to be announced are the participants in the the Outstanding Directors of the Year panel (Thursday, March 3, at 8 p.m.), moderated by Feinberg; the Variety Artisans Award on Monday, March 7. at 8 p.m., moderated by Jazz Tangcay; and the Montecito Award tribute on Tuesday, March 8, at 8 p.m.
The 37th edition opens March 2 with the world premiere of ’70s-set British comedy “The Phantom of the Open,” starring Sally Hawkins and Mark Rylance. After screening 95 U.S premieres and 48 world premieres from 54 countries, the festival will close March 12 with documentary “Dionne Warwick: Don’t Make Me Over,” with the veteran singer in attendance. The full program is listed here.

	Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.


We  want to thank the  writer of this  short article for this awesome  material



SBIFF 2022 Launches with Oscar Tributes, from Kristen Stewart to Will Smith

"
      }
      ["summary"]=>
      string(691) "Santa Barbara is a key stop on the awards circuit, with a range of starry panels and tributes. Under executive director Roger Durling, the Santa Barbara International Film Festival (March 2–12, 2022) has thrived by surfing the awards season wave, programming a ton of onstage interviews with Oscar contenders. This year’s edition is a hybrid ... Read more"
      ["atom_content"]=>
      string(6737) "
Santa Barbara is a key stop on the awards circuit, with a range of starry panels and tributes.


Under executive director Roger Durling, the Santa Barbara International Film Festival (March 2–12, 2022) has thrived by surfing the awards season wave, programming a ton of onstage interviews with Oscar contenders. This year’s edition is a hybrid of last year’s pandemic festival, when tributes and panels were live-streamed and the films were shown online and at two free oceanfront drive-in theatres. 2022 marks a return to live events. “After two years of incertitude,” said Durling, “it feels good to know we can continue to count on film and the festival to give us a sense of comfort and continuity.”
Every year, screenwriters, directors, and producers promote their films on panels, and the likes of Brad Pitt, Bong Joon-ho, Adam Driver, Renée Zellweger, Laura Dern, Viola Davis, Lupita Nyong’o, Saoirse Ronan, Bruce Dern, Jeff Bridges, Melissa McCarthy, Isabelle Huppert, Viggo Mortensen, Rami Malek, Glenn Close, Ben Affleck, Christopher Nolan, and Sam Elliott submit to in-depth tributes.

Related


Related

The panels, tributes, special screenings lure local cinephiles and Academy members eager to hear Oscar contenders talk about their creative process. All tributes and panels will be in person at the historic Arlington Theatre as well as streamed live. One of several special screenings is Oscar frontrunner “The Power of the Dog,” followed by a Q&A with New Zealand auteur Jane Campion on Thursday, March 3 at 2 p.m.

“King Richard”

©Warner Bros/Courtesy Everett Collection
On the first weekend, on Friday, March 4 at 8 p.m., I will interview The American Riviera Award honoree, Oscar nominee Kristen Stewart (“Spencer”). The next day on Saturday, March 5 at 11 a.m. I will moderate the annual “It Starts with the Script” Writers Panel, which will be followed by Los Angeles Times awards editor Glenn Whipp’s Producers Panel at 2 p.m., and the following weekend, Madelyn Hammond’s Women’s Panel on Sunday, March 12, at 11 a.m.
The Virtuosos Award, moderated by TCM’s Dave Karger, will honor Caitriona Balfe and Jamie Dornan of “Belfast,” Ariana DeBose (“West Side Story”), Alana Haim (“Licorice Pizza”), Emilia Jones and Troy Kotsur of “CODA,” Simon Rex (“Red Rocket”), and Saniyya Sidney (“King Richard”) on Saturday, March 5 at 8:00pm.
The Outstanding Performers of the Year, Will Smith and Aunjanue Ellis, will be interviewed on Sunday, March 6, at 8 p.m. by The Hollywood Reporter’s Scott Feinberg; The Cinema Vanguard Award goes to Benedict Cumberbatch on Wednesday, March 9, at 8 p.m., moderated by Deadline’s Pete Hammond. And as always, Hollywood historian Leonard Maltin will grill the honorees of the the Maltin Modern Master Award (Javier Bardem and Nicole Kidman), on Thursday, March 10, at 8 p.m.
Still to be announced are the participants in the the Outstanding Directors of the Year panel (Thursday, March 3, at 8 p.m.), moderated by Feinberg; the Variety Artisans Award on Monday, March 7. at 8 p.m., moderated by Jazz Tangcay; and the Montecito Award tribute on Tuesday, March 8, at 8 p.m.
The 37th edition opens March 2 with the world premiere of ’70s-set British comedy “The Phantom of the Open,” starring Sally Hawkins and Mark Rylance. After screening 95 U.S premieres and 48 world premieres from 54 countries, the festival will close March 12 with documentary “Dionne Warwick: Don’t Make Me Over,” with the veteran singer in attendance. The full program is listed here.

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We  want to thank the  writer of this  short article for this awesome  material



SBIFF 2022 Launches with Oscar Tributes, from Kristen Stewart to Will Smith

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We  would love to  give thanks to the  writer of this  write-up for this  amazing content



Meet the Fake ‘Anna,’ ‘Marry Me’ and More Romcoms, Remembering Whitney’s Super Bowl Anthem, Winter Olympics and Kevin Hart

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We  would love to  give thanks to the  writer of this  write-up for this  amazing content



Meet the Fake ‘Anna,’ ‘Marry Me’ and More Romcoms, Remembering Whitney’s Super Bowl Anthem, Winter Olympics and Kevin Hart

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Director Robert Rodriguez is best known for his Mexico Trilogy of films and the Spy Kids franchise.  His newest film is Alita: Battle Angel, a cyberpunk action film starring Rosa Salazar in the title role and Keean Johnson as Hugo, Alita’s love interest.  Salazar has appeared in multiple television shows and films including Big Mouth, The Divergent Series: Insurgent, and Maze Runner: The Scorch Trials. Alita is produced by blockbuster director film James Cameron and his co-producer Jon Landau. Landau also produced Titanic, Solaris, and the Avatar sequels.
Screen Rant: Guys, Battle Angel Alita…welcome to…I was going to say San Diego Comic-Con again…




SCREENRANT VIDEO OF THE DAY



 

Robert Rodriguez: Like last time! No no.

Screen Rant: New York Comic Con 2018. We are in New York. We are in New York. I’m excited about this film and I’m really happy actually I think that it’s really smart, me and Jon were just talking, moving it to the Valentine’s Day, that February slot I think is really smart because that’s a sleeper date. How influential were the two of you in that decision making process?

Robert Rodriguez:  Well also it’s the best time to launch a franchise. We get all the IMAX screens you know, just for presentation. We see that the movie just appeals to all audiences and that’s just like a clearer place to launch a franchise.


Jon Landau: Well I think that for us, we were instrumental behind the scenes. You know. We were looking at what the movie has become which is a story with a romance in there between these two. It’s really become much more of a family movie than whenever we first envisioned it. And to be out on Valentine’s Day to be out leading into President’s Day weekend to have no movies coming right behind us. It was the right date to launch a new hero, not a superhero, a hero. Because that’s what Alita is.


Rosa Salazar: And for us, we just trust in them implicitly. They know what they are doing.

Screen Rant: So the physicality to this role, Rosa, must have been pretty intense and also I want to know about what you kind of studied to get ready for this. Because it seems like quite a challenge…


Rosa Salazar: It was quite a challenge. It was a process. I went straight into training from being cast. I remember Jim [Cameron] and Robert talking about how, you know, they didn’t want to get two kicks out of someone and have her be exhausted and I agreed. And there was a hill for me to climb there. I was riding a lot at the time and I was…I like to tell people that I was made out of croissants, because it was true! So I started training a few hours every single day. We did some Eagle Claw which is kung-fu, we did some Muay Thai kicking. Muay Thai is very fierce fighting so I really liked Muay Thai. We did staff work. We did kickboxing. And it really not only prepared me physically for the role, I mean I really felt strong. It also prepared me mentally. I mean you think about a warrior, you think about their abilities physically. But you aren’t always thinking about their abilities mentally and they’re linked, the two.


Screen Rant: Now I now that anime films in the past struggled with an American audience, but what sets this apart a little bit is that this can take place anywhere in the world. How does that benefit Battle Angel Alita from other anime films that may have come before this?

Robert Rodriguez: Yeah, well what [Yukito] Kishoro wrote was something that was very universal. It was set in another place, originally Kansas City. But what was nice for me, Jim had decided this before I came aboard, is how the Equator work and how a space elevator would work best would be closer to the Equator. So, he had set it in a Panama City type place, you know like a South American country in the future. Which gives you all the color of a South American country in a futuristic film which you’ve never seen before. And we are seeing it through Alita’s eyes anyway so the color palette is really original for a sci-fi film. But really the character of Alita is what is the real draw and the universal character that he wrote and her journey of self-discovery and discovering that she does have this power to change the world and so we thought that was such a universal story we wanted it to be made as a very universal story.
Jon Landau: It was Kishiro who did in what he wrote and I remember talking to him about this. He really looked at America and he set a story that was representative of that world. And I said to him, “Why the Kansas bar?” Because that’s the bar we played in the movie, he played in the graphic novel. And he goes, “Because I like the band.” And that was his answer and I think that’s why this is different than so many others. And the lead character is not Asian-centric. She’s a universal character, we could have cast anybody of any ethnicity to play the part. And we got to choose the best actress and that’s what we got.
Rosa Salazar: And they really saw everybody.





 
 


 



Screen Rant: Keean how does Hugo view Alita..from where we start?

Keean Johnson: Well what’s interesting is Hugo’s obviously a part of this world where, you know, there are people that are cyborgs. There are people with just one body part that’s robotic and in Alita’s case everything from the neck down is robotic. He’s kind of been conditioned in this world that he’s grown up in to maybe look down on…it’s not looking down on, he just doesn’t understand that lifestyle. And he’s very much all human. So what’s also is interesting is Hugo’s journey of meeting Alita and looking past, you know, what she is and helping her find out who she is. Because really that’s what it’s about. Hugo wants a better life, but then he sees this girl and realizes that he might have it off really bad, but she doesn’t even know who she is. So he thinks that it’s kind of his duty to help her find that out.
Rosa Salazar: I think that I would go as far as saying that there is prejudice there. People that are human, that have no replacement parts and then people that are totally replaced with parts. It’s sort of a Montague and Capulet’s situation. Or a …. situation. It’s the other side. I think that he being interested in Alita, it changes him in a very drastic way.


Screen Rant: Now Jon I know that this project has been on your radar for quite a while. Now that we are finally getting it, I want to ask you what was it about Robert’s eye that was like “Yes, he is the perfect choice for this.” Because you do, Robert, you have such a great eye for this kind of stuff and innovation I feel like. I talked to you about this yesterday a little bit, like every DVD I would always watch and have to listen to your commentary for two reasons. One, you would always cook something and have a little meal with it. But two, it’s like going to film school. Talk to me about that…




Jon Landau: I think that one of things that Jim and I have always been impressed about Robert and his films is that each world that he presents on film is unique and it’s comprehensive. But inside of it Robert has never lost sight of character and story. Whether that’s Spy Kids, El Mariachi, whatever it is it always comes back to the characters in his films. And also Robert is someone who we looked at who is not afraid of technology. Because we knew that to bring Alita to the screen with the same emotive quality we needed, we needed someone that wouldn’t feel intimidated by technology. And Robert shot a 3D movie before Jim Cameron did, now it happened to use Jim Cameron’s system, but nonetheless. So Robert was the right person and he proved it to us when he took Jim’s way too long script and he cut it down. And we didn’t miss anything. And that told us that he saw what was important. The themes of this character. The themes of this relationship. The themes of a father having a second chance at daughterhood. Those are all the things that are important.


Screen Rant: That’s a great way of putting that. Because when I do think of innovative filmmakers you’re definitely at the top of the list with what you do and the vision that you bring to it. How did you want to approach Alita to give it a definitive look and feel away from other anime films that may have come before it?

Robert Rodriguez: Something that Jim mentioned… And also even a critique I even have of my own films. I’m very whimsical in my movies. You know like, a guitar case that fires missiles. Do you really need to know how it works? Nah. But that wouldn’t fly with Jim. Jim is more science fact, even in his science fiction. And he builds worlds that are all believable. If you think about it you know? Titanic, The Abyss, even Terminator, they’re very tangible, real so then you would believe the space travel. You would believe all the flights of fancy. So this had to be really grounded and real like a Jim Cameron movie. So I really wanted to make it like a Jim Cameron movie, more than a Robert Rodriguez film. In that it had to feel really grounded and real and that informed how we shot it. Which was build mostly sets, not have the CG stick out as CG, so that you believed her. And that was really crucial because that’s what he does. It has to be completely grounded. Or you won’t believe her for a second. Or anything that I do in fantasy. You don’t believe it if it’s not grounded. So that was a real cool lesson and also the way to shoot it in the style. Just like I did Sin City in Frank Miller’s style, I wanted this to feel like a Jim Cameron movie. I didn’t want it to feel like a Robert Rodriguez movie. I didn’t want Sin City to feel like a Robert Rodriguez movie.
Keean Johnson: Well but there is, however, a bar fight scene that is very much a Robert Rodriguez…
Robert Rodriguez: …I don’t know because I told Jim, I said, “We gotta make this bar fight really cool.” I went and looked up top ten bar fights online and two of them were his and two of them were mine. Dusk til Dawn, Desperado, Terminator…so I guess that’s just what we do. We had to kind of top ourselves, so half of that is at least Jim’s.





 
 


 



Screen Rant: That’s amazing. Now for you two. I love sci-fi, I love anime. I love the comic book genre. Mainly because they are cautionary tales that we can all learn from. What do you hope that audiences take away from this film?

Rosa Salazar: Well, I hope that audiences…Young girls obviously but also young boys and all people…I hope they take away the theme that really inspired me when I started. When I read the script and when I talked to these guys. Which is, here you have a character who considers herself a tiny speck of dust. She’s insignificant. She says, “I’m just an insignificant little girl. I don’t matter. I couldn’t possibly change anything. I couldn’t possibly do anything. I couldn’t make a difference.” And then she goes on her journey of self-discovery and finding out who she is, who she was. And empowering herself on that journey and realizes, discovers that she actually does have the ability to change her circumstances. And she actually is someone quite incredible who has the power to change things for everyone. I would like them to take away that you may feel like a small, insignificant person. Like you couldn’t and oust the monsters that we see on our TV’s every single day. But you can. And you can do something and you just have to follow that thread.
Keean Johnson: And just from like a film-goer’s perspective, in this day and age it’s very rare where you go to a theater and you sit down and you watch a film and you watch a story that you don’t know anything about the characters beforehand… It’s not a sequel. It’s something completely new. So just as like a film-goer’s perspective just being able to go to a film. Sit down and watch…
Rosa Salazar: You lose yourself.
Keean Johnson: …something that you’ve never seen before. And see a world that’s going to be the first time telling it other than you know, the two episode manga on You Tube or the anime. It’s just going to be so fun for people, just like Avatar…I went on my first date to Avatar, ever. And the date went terribly, but it was mainly because I sat down and saw this film where you’re thrown into this world that you’ve never seen before. So I just watched the movie the whole time and kind of forgot about the girl I was with. But you know, hopefully people can have the same experience…
Rosa Salazar: …And I hope that she goes and sees Alita with a different date…
Jon Landau: What Keean’s talking about, about going to the movies… People go for escapism and I think the world that Kishiro wrote and now that Robert has realized on screen is a place that people are going to want to escape to. And then they go on a journey with characters that they can relate to. Kishiro wrote a character who learns to become a hero and doesn’t come into the world as a superhero and that I think creates a very much greater aspirational dynamic for audiences, because in Alita they see something that they too can become.


Screen Rant: Absolutely. Well guys I’m excited to go on the journey with all of you in February of 2019. Which I again think is a brilliant date and you know maybe you can take your first date if this is your first time seeing a movie like this and have a film going experience. Thank you so much for dropping by.

More – Rosa Salazar Interview for Battle Angel: Alita



Alita Battle Angel (2019)Release date: Feb 14, 2019

            



    
        

                                    
                        



            Benedict Cumberbatch Slept Through Power Of The Dog Oscar Nomination
        
            

            
                
We would like to thank the author of this  write-up for this  outstanding content



Rosa Salazar, Keean Johnson, Robert Rodriguez Interview – Alita: Battle Angel

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Director Robert Rodriguez is best known for his Mexico Trilogy of films and the Spy Kids franchise.  His newest film is Alita: Battle Angel, a cyberpunk action film starring Rosa Salazar in the title role and Keean Johnson as Hugo, Alita’s love interest.  Salazar has appeared in multiple television shows and films including Big Mouth, The Divergent Series: Insurgent, and Maze Runner: The Scorch Trials. Alita is produced by blockbuster director film James Cameron and his co-producer Jon Landau. Landau also produced Titanic, Solaris, and the Avatar sequels.
Screen Rant: Guys, Battle Angel Alita…welcome to…I was going to say San Diego Comic-Con again…




SCREENRANT VIDEO OF THE DAY



 

Robert Rodriguez: Like last time! No no.

Screen Rant: New York Comic Con 2018. We are in New York. We are in New York. I’m excited about this film and I’m really happy actually I think that it’s really smart, me and Jon were just talking, moving it to the Valentine’s Day, that February slot I think is really smart because that’s a sleeper date. How influential were the two of you in that decision making process?

Robert Rodriguez:  Well also it’s the best time to launch a franchise. We get all the IMAX screens you know, just for presentation. We see that the movie just appeals to all audiences and that’s just like a clearer place to launch a franchise.


Jon Landau: Well I think that for us, we were instrumental behind the scenes. You know. We were looking at what the movie has become which is a story with a romance in there between these two. It’s really become much more of a family movie than whenever we first envisioned it. And to be out on Valentine’s Day to be out leading into President’s Day weekend to have no movies coming right behind us. It was the right date to launch a new hero, not a superhero, a hero. Because that’s what Alita is.


Rosa Salazar: And for us, we just trust in them implicitly. They know what they are doing.

Screen Rant: So the physicality to this role, Rosa, must have been pretty intense and also I want to know about what you kind of studied to get ready for this. Because it seems like quite a challenge…


Rosa Salazar: It was quite a challenge. It was a process. I went straight into training from being cast. I remember Jim [Cameron] and Robert talking about how, you know, they didn’t want to get two kicks out of someone and have her be exhausted and I agreed. And there was a hill for me to climb there. I was riding a lot at the time and I was…I like to tell people that I was made out of croissants, because it was true! So I started training a few hours every single day. We did some Eagle Claw which is kung-fu, we did some Muay Thai kicking. Muay Thai is very fierce fighting so I really liked Muay Thai. We did staff work. We did kickboxing. And it really not only prepared me physically for the role, I mean I really felt strong. It also prepared me mentally. I mean you think about a warrior, you think about their abilities physically. But you aren’t always thinking about their abilities mentally and they’re linked, the two.


Screen Rant: Now I now that anime films in the past struggled with an American audience, but what sets this apart a little bit is that this can take place anywhere in the world. How does that benefit Battle Angel Alita from other anime films that may have come before this?

Robert Rodriguez: Yeah, well what [Yukito] Kishoro wrote was something that was very universal. It was set in another place, originally Kansas City. But what was nice for me, Jim had decided this before I came aboard, is how the Equator work and how a space elevator would work best would be closer to the Equator. So, he had set it in a Panama City type place, you know like a South American country in the future. Which gives you all the color of a South American country in a futuristic film which you’ve never seen before. And we are seeing it through Alita’s eyes anyway so the color palette is really original for a sci-fi film. But really the character of Alita is what is the real draw and the universal character that he wrote and her journey of self-discovery and discovering that she does have this power to change the world and so we thought that was such a universal story we wanted it to be made as a very universal story.
Jon Landau: It was Kishiro who did in what he wrote and I remember talking to him about this. He really looked at America and he set a story that was representative of that world. And I said to him, “Why the Kansas bar?” Because that’s the bar we played in the movie, he played in the graphic novel. And he goes, “Because I like the band.” And that was his answer and I think that’s why this is different than so many others. And the lead character is not Asian-centric. She’s a universal character, we could have cast anybody of any ethnicity to play the part. And we got to choose the best actress and that’s what we got.
Rosa Salazar: And they really saw everybody.





 
 


 



Screen Rant: Keean how does Hugo view Alita..from where we start?

Keean Johnson: Well what’s interesting is Hugo’s obviously a part of this world where, you know, there are people that are cyborgs. There are people with just one body part that’s robotic and in Alita’s case everything from the neck down is robotic. He’s kind of been conditioned in this world that he’s grown up in to maybe look down on…it’s not looking down on, he just doesn’t understand that lifestyle. And he’s very much all human. So what’s also is interesting is Hugo’s journey of meeting Alita and looking past, you know, what she is and helping her find out who she is. Because really that’s what it’s about. Hugo wants a better life, but then he sees this girl and realizes that he might have it off really bad, but she doesn’t even know who she is. So he thinks that it’s kind of his duty to help her find that out.
Rosa Salazar: I think that I would go as far as saying that there is prejudice there. People that are human, that have no replacement parts and then people that are totally replaced with parts. It’s sort of a Montague and Capulet’s situation. Or a …. situation. It’s the other side. I think that he being interested in Alita, it changes him in a very drastic way.


Screen Rant: Now Jon I know that this project has been on your radar for quite a while. Now that we are finally getting it, I want to ask you what was it about Robert’s eye that was like “Yes, he is the perfect choice for this.” Because you do, Robert, you have such a great eye for this kind of stuff and innovation I feel like. I talked to you about this yesterday a little bit, like every DVD I would always watch and have to listen to your commentary for two reasons. One, you would always cook something and have a little meal with it. But two, it’s like going to film school. Talk to me about that…




Jon Landau: I think that one of things that Jim and I have always been impressed about Robert and his films is that each world that he presents on film is unique and it’s comprehensive. But inside of it Robert has never lost sight of character and story. Whether that’s Spy Kids, El Mariachi, whatever it is it always comes back to the characters in his films. And also Robert is someone who we looked at who is not afraid of technology. Because we knew that to bring Alita to the screen with the same emotive quality we needed, we needed someone that wouldn’t feel intimidated by technology. And Robert shot a 3D movie before Jim Cameron did, now it happened to use Jim Cameron’s system, but nonetheless. So Robert was the right person and he proved it to us when he took Jim’s way too long script and he cut it down. And we didn’t miss anything. And that told us that he saw what was important. The themes of this character. The themes of this relationship. The themes of a father having a second chance at daughterhood. Those are all the things that are important.


Screen Rant: That’s a great way of putting that. Because when I do think of innovative filmmakers you’re definitely at the top of the list with what you do and the vision that you bring to it. How did you want to approach Alita to give it a definitive look and feel away from other anime films that may have come before it?

Robert Rodriguez: Something that Jim mentioned… And also even a critique I even have of my own films. I’m very whimsical in my movies. You know like, a guitar case that fires missiles. Do you really need to know how it works? Nah. But that wouldn’t fly with Jim. Jim is more science fact, even in his science fiction. And he builds worlds that are all believable. If you think about it you know? Titanic, The Abyss, even Terminator, they’re very tangible, real so then you would believe the space travel. You would believe all the flights of fancy. So this had to be really grounded and real like a Jim Cameron movie. So I really wanted to make it like a Jim Cameron movie, more than a Robert Rodriguez film. In that it had to feel really grounded and real and that informed how we shot it. Which was build mostly sets, not have the CG stick out as CG, so that you believed her. And that was really crucial because that’s what he does. It has to be completely grounded. Or you won’t believe her for a second. Or anything that I do in fantasy. You don’t believe it if it’s not grounded. So that was a real cool lesson and also the way to shoot it in the style. Just like I did Sin City in Frank Miller’s style, I wanted this to feel like a Jim Cameron movie. I didn’t want it to feel like a Robert Rodriguez movie. I didn’t want Sin City to feel like a Robert Rodriguez movie.
Keean Johnson: Well but there is, however, a bar fight scene that is very much a Robert Rodriguez…
Robert Rodriguez: …I don’t know because I told Jim, I said, “We gotta make this bar fight really cool.” I went and looked up top ten bar fights online and two of them were his and two of them were mine. Dusk til Dawn, Desperado, Terminator…so I guess that’s just what we do. We had to kind of top ourselves, so half of that is at least Jim’s.





 
 


 



Screen Rant: That’s amazing. Now for you two. I love sci-fi, I love anime. I love the comic book genre. Mainly because they are cautionary tales that we can all learn from. What do you hope that audiences take away from this film?

Rosa Salazar: Well, I hope that audiences…Young girls obviously but also young boys and all people…I hope they take away the theme that really inspired me when I started. When I read the script and when I talked to these guys. Which is, here you have a character who considers herself a tiny speck of dust. She’s insignificant. She says, “I’m just an insignificant little girl. I don’t matter. I couldn’t possibly change anything. I couldn’t possibly do anything. I couldn’t make a difference.” And then she goes on her journey of self-discovery and finding out who she is, who she was. And empowering herself on that journey and realizes, discovers that she actually does have the ability to change her circumstances. And she actually is someone quite incredible who has the power to change things for everyone. I would like them to take away that you may feel like a small, insignificant person. Like you couldn’t and oust the monsters that we see on our TV’s every single day. But you can. And you can do something and you just have to follow that thread.
Keean Johnson: And just from like a film-goer’s perspective, in this day and age it’s very rare where you go to a theater and you sit down and you watch a film and you watch a story that you don’t know anything about the characters beforehand… It’s not a sequel. It’s something completely new. So just as like a film-goer’s perspective just being able to go to a film. Sit down and watch…
Rosa Salazar: You lose yourself.
Keean Johnson: …something that you’ve never seen before. And see a world that’s going to be the first time telling it other than you know, the two episode manga on You Tube or the anime. It’s just going to be so fun for people, just like Avatar…I went on my first date to Avatar, ever. And the date went terribly, but it was mainly because I sat down and saw this film where you’re thrown into this world that you’ve never seen before. So I just watched the movie the whole time and kind of forgot about the girl I was with. But you know, hopefully people can have the same experience…
Rosa Salazar: …And I hope that she goes and sees Alita with a different date…
Jon Landau: What Keean’s talking about, about going to the movies… People go for escapism and I think the world that Kishiro wrote and now that Robert has realized on screen is a place that people are going to want to escape to. And then they go on a journey with characters that they can relate to. Kishiro wrote a character who learns to become a hero and doesn’t come into the world as a superhero and that I think creates a very much greater aspirational dynamic for audiences, because in Alita they see something that they too can become.


Screen Rant: Absolutely. Well guys I’m excited to go on the journey with all of you in February of 2019. Which I again think is a brilliant date and you know maybe you can take your first date if this is your first time seeing a movie like this and have a film going experience. Thank you so much for dropping by.

More – Rosa Salazar Interview for Battle Angel: Alita



Alita Battle Angel (2019)Release date: Feb 14, 2019

            



    
        

                                    
                        



            Benedict Cumberbatch Slept Through Power Of The Dog Oscar Nomination
        
            

            
                
We would like to thank the author of this  write-up for this  outstanding content



Rosa Salazar, Keean Johnson, Robert Rodriguez Interview – Alita: Battle Angel

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Ahead of his turn as Horace in Disney’s Cruella, actor Paul Walter Hauser took on a role in Da 5 Bloods, the latest outing from iconic filmmaker Spike Lee. Not only is Da 5 Bloods an incredible film, but it will also be remembered by many as one of the final on-screen appearances of the late Chadwick Boseman, who passed away last year after a battle with colon cancer. Boseman played the leader of the Bloods, Stormin’ Norman, back when they were fighting in Vietnam. While the character died in the war decades before the movie takes place, he’s present in a series of flashbacks throughout the film, as well as in the visions of Delroy Lindo’s Paul.
Hauser played a character that only appeared in the modern day scenes, so he and Boseman never actually shared the screen together, but he still feels honored to have been in the same movie as the legendary Black Panther. During an interview with ComicBook.com‘s Jamie Jirak, Hauser talked about his experience working with Spike Lee, and seeing Boseman at the midway point of the production.
“You know what, I enjoyed that process because I love Spike and it was an important story to tell,” Hauser said. “But it was also pretty grueling. The weather was quite hot. Lots of bugs. A lot of the crew didn’t speak English. And I ended up getting a bacterial infection and going to the hospital the last week of filming.”
“It was pretty exhausting, but I’m proud of the movie. And the only time I saw Chadwick was at a party that Spike threw at this restaurant bar place,” he continued. “And it was kind of like a midway party to break up the shoot for everybody. And Chadwick was there, but I remember him looking really gaunt, really thin, and depleted of energy, kind of like this at a table, and at times resting his head on his arms. And so I didn’t even walk up and say hello because he just looked so tired. I didn’t want to bother him. But I’m eternally grateful that I got to share the screen with him to some degree. And he’s left us quite a legacy that Disney’s keeping alive with Black Panther.”
Boseman’s final film role came in Ma Rainey’s Black Bottom, for which he was nominated for an Academy Award. Marvel and Disney are proceeding with Black Panther: Wakanda Forever, which will honor the legacy of Boseman and his on-screen hero, King T’Challa.

We would like to thank the author of this  write-up for this  incredible content



Da 5 Blood’s Paul Walter Hauser “Eternally Grateful” He Got to Be in a Film with Chadwick Boseman

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Ahead of his turn as Horace in Disney’s Cruella, actor Paul Walter Hauser took on a role in Da 5 Bloods, the latest outing from iconic filmmaker Spike Lee. Not only is Da 5 Bloods an incredible film, but it will also be remembered by many as one of the final on-screen appearances of the late Chadwick Boseman, who passed away last year after a battle with colon cancer. Boseman played the leader of the Bloods, Stormin’ Norman, back when they were fighting in Vietnam. While the character died in the war decades before the movie takes place, he’s present in a series of flashbacks throughout the film, as well as in the visions of Delroy Lindo’s Paul.
Hauser played a character that only appeared in the modern day scenes, so he and Boseman never actually shared the screen together, but he still feels honored to have been in the same movie as the legendary Black Panther. During an interview with ComicBook.com‘s Jamie Jirak, Hauser talked about his experience working with Spike Lee, and seeing Boseman at the midway point of the production.
“You know what, I enjoyed that process because I love Spike and it was an important story to tell,” Hauser said. “But it was also pretty grueling. The weather was quite hot. Lots of bugs. A lot of the crew didn’t speak English. And I ended up getting a bacterial infection and going to the hospital the last week of filming.”
“It was pretty exhausting, but I’m proud of the movie. And the only time I saw Chadwick was at a party that Spike threw at this restaurant bar place,” he continued. “And it was kind of like a midway party to break up the shoot for everybody. And Chadwick was there, but I remember him looking really gaunt, really thin, and depleted of energy, kind of like this at a table, and at times resting his head on his arms. And so I didn’t even walk up and say hello because he just looked so tired. I didn’t want to bother him. But I’m eternally grateful that I got to share the screen with him to some degree. And he’s left us quite a legacy that Disney’s keeping alive with Black Panther.”
Boseman’s final film role came in Ma Rainey’s Black Bottom, for which he was nominated for an Academy Award. Marvel and Disney are proceeding with Black Panther: Wakanda Forever, which will honor the legacy of Boseman and his on-screen hero, King T’Challa.

We would like to thank the author of this  write-up for this  incredible content



Da 5 Blood’s Paul Walter Hauser “Eternally Grateful” He Got to Be in a Film with Chadwick Boseman

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The Fast & Furious actor Tyrese Gibson, aka Roman Pearce, once mocked the box office reception of Dwayne Johnson’s Hobbs & Shaw. The Rock and Vin Diesel’s infamous feud is known across the globe, but the wrestler-turned-actor was once caught up in another fight with another Fast franchise actor.
Ever since Johnson left the franchise and starred in the spin-off movie, it caused bad blood between some of his co-stars, including Gibson. The actor was vocal about his disappointment after the spin-off was announced and almost issued a warning to The Rock to not fly solo with the 2019 film.
However, Dwayne Johnson did go along with Hobbs & Shaw, but the movie opened to average ratings, reviews, a poor opening weekend, and a low box office collection, making only $759,056,935 worldwide. The film saw the second-lowest opening since the 2006 instalment, The Fast and the Furious: Tokyo Drift. But, Tyrese Gibson saw this moment as an opportunity to mock which added fuel to their feud.
In a now-deleted Instagram post, which is now shared by The Shade Room, Tyrese Gibson decided to throw some shade at his Fast & Furious co-star Dwayne Johnson. The post read “I have to show my respects for one thing … He tried. Folks called me a hater … And attacked me for speaking out … Breaking up the family clearly doesn’t have the value that one would assume it does …”
“You know what, maybe just maybe …The Rock and the crew will come dance with us again for #Fast10. We can all hug it out and get back to giving the true fans who have supported this franchise for 20 years WHAT they want … No hating I’m just pointing out the facts,” it continued.
Tyrese Gibson mocking Hobbs & Shaw’s box office numbers was just the beginning of the beef between him and Dwayne Johnson. However, in 2021, Gibson spoke about ending the feud and said that he is done with that, and both the actors reconnected.
Must Read: Andrew Garfield Reveals Getting Texts From His Spider-Man: No Way Home Co-Stars Tom Holland & Tobey Maguire For His Oscars 2022 Nomination
Follow Us: Facebook | Instagram | Twitter | Youtube


We  wish to thank the author of this  write-up for this  amazing content



When Dwayne Johnson’s Fast & Furious Co-Star Tyrese Gibson Mocked Hobbs & Shaw’s Poor Box Office Numbers

"
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      string(807) "Tyrese Gibson Once Mocked Dwayne Johnson’s Hobbs & Shaw’s Poor Box Office Opening ( Photo Credit – Facebook ; Hobbs & Shaw Poster ) The Fast & Furious actor Tyrese Gibson, aka Roman Pearce, once mocked the box office reception of Dwayne Johnson’s Hobbs & Shaw. The Rock and Vin Diesel’s infamous feud is known ... Read more"
      ["atom_content"]=>
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The Fast & Furious actor Tyrese Gibson, aka Roman Pearce, once mocked the box office reception of Dwayne Johnson’s Hobbs & Shaw. The Rock and Vin Diesel’s infamous feud is known across the globe, but the wrestler-turned-actor was once caught up in another fight with another Fast franchise actor.
Ever since Johnson left the franchise and starred in the spin-off movie, it caused bad blood between some of his co-stars, including Gibson. The actor was vocal about his disappointment after the spin-off was announced and almost issued a warning to The Rock to not fly solo with the 2019 film.
However, Dwayne Johnson did go along with Hobbs & Shaw, but the movie opened to average ratings, reviews, a poor opening weekend, and a low box office collection, making only $759,056,935 worldwide. The film saw the second-lowest opening since the 2006 instalment, The Fast and the Furious: Tokyo Drift. But, Tyrese Gibson saw this moment as an opportunity to mock which added fuel to their feud.
In a now-deleted Instagram post, which is now shared by The Shade Room, Tyrese Gibson decided to throw some shade at his Fast & Furious co-star Dwayne Johnson. The post read “I have to show my respects for one thing … He tried. Folks called me a hater … And attacked me for speaking out … Breaking up the family clearly doesn’t have the value that one would assume it does …”
“You know what, maybe just maybe …The Rock and the crew will come dance with us again for #Fast10. We can all hug it out and get back to giving the true fans who have supported this franchise for 20 years WHAT they want … No hating I’m just pointing out the facts,” it continued.
Tyrese Gibson mocking Hobbs & Shaw’s box office numbers was just the beginning of the beef between him and Dwayne Johnson. However, in 2021, Gibson spoke about ending the feud and said that he is done with that, and both the actors reconnected.
Must Read: Andrew Garfield Reveals Getting Texts From His Spider-Man: No Way Home Co-Stars Tom Holland & Tobey Maguire For His Oscars 2022 Nomination
Follow Us: Facebook | Instagram | Twitter | Youtube


We  wish to thank the author of this  write-up for this  amazing content



When Dwayne Johnson’s Fast & Furious Co-Star Tyrese Gibson Mocked Hobbs & Shaw’s Poor Box Office Numbers

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      string(802) "During Season 1 of the pandemic, one of the few pleasures we had inside our homes was getting our weekly dose of Last Week Tonight with John Oliver. The late-night news satire show is known for tackling serious issues but also inserting really weird jokes that make the audience go “how the heck did we ... Read more"
      ["content"]=>
      array(1) {
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During Season 1 of the pandemic, one of the few pleasures we had inside our homes was getting our weekly dose of Last Week Tonight with John Oliver. The late-night news satire show is known for tackling serious issues but also inserting really weird jokes that make the audience go “how the heck did we get from politics to parachuting teddy bears?” In the seventh season, one of the recurring jokes was John Oliver’s violent infatuation with Academy Award Nominee Adam Driver (Marriage Story), which started off small but eventually built up to Driver himself making a cameo on the show just to tell Oliver off.
  
In a recent interview with Collider’s Steven Weintraub, Oliver revealed that he and the writer’s team also had no idea how far that joke would extend since it was first featured in the season as a throwaway line. However, the audience responded well to Oliver’s mix of attraction and violence towards Driver, and they decided to keep coming back to it until they reached out to the actor and decided to take it all the way to the season finale.




COLLIDER VIDEO OF THE DAY





 
 


 

 RELATED: ‘Last Week Tonight With John Oliver’ Season 9 Trailer Reveals a February Return
During the interview, Weintraub asked Oliver if knew early in the season that Driver would be on, or if it was a one-off joke. Oliver explained how the joke came to be, evolved, and how Driver ultimately was pivotal in making it last:

“No, that was a one-off joke. That was one of the final shows that we actually had in the studio before the pandemic kicked in. I just liked it because it was a really funny joke. The audience seemed to like it a little bit and be very uncomfortable as well. And it was the perfect synthesis of those two reactions. So then we did it again and then again and it felt like a really fun joke format. Then we were about to stop because it felt like, well, unless this joke is heading somewhere to your point, it probably should end.
That was when we reached out to Adam Driver to say, “hey, I don’t know if you know we are doing this joke, if you would like to come on at the end of the year I will keep going and we’ll set it up. If not, we will stop.” Because we did not want to get into that situation, exactly like you say, where you are building to a payoff, and you can’t stick the landing. So once we knew he was going to come at the end of the year, at that point, and this is five jokes in, at that point we realized, oh, we are continuing this at the end of the year then. But you can confidently accelerate knowing that the payoff is going to be beautiful.”

 
You can check out Driver’s participation in the show in the clip below. HBO premieres the new season of Last Week Tonight with John Oliver on February 20. You can also stream it on HBO Max. Look for Steve’s full interview with John Oliver next week.
                                                                                                                                                                        



        
            

                            
                    
            


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    About The Author



            Erick Massoto

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Erick Massoto is a Brazilian writer who’s always loved film and TV and is obsessed with making lists. He can also name about 700 Pokémon and Digimon off the top of his head, but sadly no one has ever asked him to do it.

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We  want to  say thanks to the  writer of this  short article for this  incredible  material



Exclusive: John Oliver Reveals the Origins of the Adam Driver Joke on ‘Last Week Tonight’ & How He Appeared on the Series

"
      }
      ["summary"]=>
      string(802) "During Season 1 of the pandemic, one of the few pleasures we had inside our homes was getting our weekly dose of Last Week Tonight with John Oliver. The late-night news satire show is known for tackling serious issues but also inserting really weird jokes that make the audience go “how the heck did we ... Read more"
      ["atom_content"]=>
      string(8058) "

During Season 1 of the pandemic, one of the few pleasures we had inside our homes was getting our weekly dose of Last Week Tonight with John Oliver. The late-night news satire show is known for tackling serious issues but also inserting really weird jokes that make the audience go “how the heck did we get from politics to parachuting teddy bears?” In the seventh season, one of the recurring jokes was John Oliver’s violent infatuation with Academy Award Nominee Adam Driver (Marriage Story), which started off small but eventually built up to Driver himself making a cameo on the show just to tell Oliver off.
  
In a recent interview with Collider’s Steven Weintraub, Oliver revealed that he and the writer’s team also had no idea how far that joke would extend since it was first featured in the season as a throwaway line. However, the audience responded well to Oliver’s mix of attraction and violence towards Driver, and they decided to keep coming back to it until they reached out to the actor and decided to take it all the way to the season finale.




COLLIDER VIDEO OF THE DAY





 
 


 

 RELATED: ‘Last Week Tonight With John Oliver’ Season 9 Trailer Reveals a February Return
During the interview, Weintraub asked Oliver if knew early in the season that Driver would be on, or if it was a one-off joke. Oliver explained how the joke came to be, evolved, and how Driver ultimately was pivotal in making it last:

“No, that was a one-off joke. That was one of the final shows that we actually had in the studio before the pandemic kicked in. I just liked it because it was a really funny joke. The audience seemed to like it a little bit and be very uncomfortable as well. And it was the perfect synthesis of those two reactions. So then we did it again and then again and it felt like a really fun joke format. Then we were about to stop because it felt like, well, unless this joke is heading somewhere to your point, it probably should end.
That was when we reached out to Adam Driver to say, “hey, I don’t know if you know we are doing this joke, if you would like to come on at the end of the year I will keep going and we’ll set it up. If not, we will stop.” Because we did not want to get into that situation, exactly like you say, where you are building to a payoff, and you can’t stick the landing. So once we knew he was going to come at the end of the year, at that point, and this is five jokes in, at that point we realized, oh, we are continuing this at the end of the year then. But you can confidently accelerate knowing that the payoff is going to be beautiful.”

 
You can check out Driver’s participation in the show in the clip below. HBO premieres the new season of Last Week Tonight with John Oliver on February 20. You can also stream it on HBO Max. Look for Steve’s full interview with John Oliver next week.
                                                                                                                                                                        



        
            

                            
                    
            


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Erick Massoto is a Brazilian writer who’s always loved film and TV and is obsessed with making lists. He can also name about 700 Pokémon and Digimon off the top of his head, but sadly no one has ever asked him to do it.

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Exclusive: John Oliver Reveals the Origins of the Adam Driver Joke on ‘Last Week Tonight’ & How He Appeared on the Series

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What is Matthew McConaughey’s net worth? 




Net Worth:
$140 Million




Age:
52


Born:
November 4, 1969


Country of Origin:
United States of America


Source of Wealth:
Professional Actor


Last Updated:
2021



Introduction 
Matthew McConaughey is one of the most iconic actors in the world.
McConaughey first rose to fame for his performance in the movie ‘Dazed and Confused’ in 1993. Many have considered this movie to be one of his breakout roles.
After several supporting roles in movies such as ‘Angels in the Outfield’ and ‘Texas Chainsaw Massacre: The Next Generation,’ his big breakthrough came as the leading man in the drama ‘A Time to Kill’ in 1996. 
As of 2022, Matthew McConaughey’s net worth is $140 million. 
 
Early Life 
Matthew David McConaughey was born on the 4th of November, 1969, in Uvalde, Texas.
McConaughey was raised by his mother who was a former teacher. His father was involved in the oil industry. His parents divorced two times before they remarried. He has two brothers. 
During his time in high school, McConaughey lived in Australia for a year as part of an exchange program. In 1993, he graduated from college and earned a Bachelor of Science in radio, television, and film.
He ultimately went into acting. 
 
Career 
McConaughey started his career in television commercials.
His big break came in 1993, with his supporting role in ‘Dazed and Confused.’ This role made him a fan favorite, and his line “All right, all right” has become one of his iconic quote moments in pop culture. 
He followed this up with smaller supporting roles in films such as ‘Angels in the Outfield,’ ‘Texas Chainsaw Massacre: The Next Generation,’ and ‘Boys on the Side.’ He rose to fame with his role in ‘A Time to Kill.’ 
In 1998, he appeared in the movie ‘The Newton Boys.’ The film was about a group of brothers from Ulvade who became bank robbers. It generated over $10 million on a $27 million budget.
During the 2000s, his work was dominated by romantic movies. He appeared in a lot of famous movies such as ‘The Wedding Planner,’ ‘Ghosts of Girlfriends Past,’ Fool’s Gold, and ‘Failure to Launch.’ 
McConaughey had a busy year in 2014, and he also appeared in the sci-fi thriller ‘Interstellar.’ The following year, he appeared in the film ‘The Sea of Trees’. In 2017, he starred in ‘The Dark Tower,’ which received negative reviews. He received praise for his role as a stoner in ‘Beach Bum’ even though the movie was seen as a failure. 
As of 2022, Matthew McConaughey’s net worth is estimated to be roughly $140 million. 
 
How Does Matthew McConaughey Spend His Money? 
Matthew McConaughey’s Home 
McConaughey owns an incredible mansion in Austin, Texas. This massive home comes with eight bathrooms and seven bedrooms. It has a massive backyard and a guest house. 
 
Matthew McConaughey’s Charity Work 
McConaughey has helped charities such as Cancer Research Institute, Children’s Defense Fund, Children’s Hospital Los Angeles Communities In Schools of New Orleans, Inc., Melanoma Research Alliance, St. Jude Children’s Research Hospital, The Art of Elysium, and World Vision. 
 
Matthew McConaughey’s Car Collection 
Some of McConaughey’s most notable cars include GMC Yukon XL, Lincoln MKX, 1971 Chevrolet Corvette Stingray, 1981 Chevrolet Camaro Z28, and a Custom Airstream RV. 
 
Highlights 
Here are some of the best highlights of Matthew McConaughey’s career: 

How to Lose A Guy in 10 Days (Movie, 2003)
Failure to Launch (Movie, 2006)
Fool’s Gold (Movie, 2008)
Bernie (Movie, 2011)
Mud (Movie, 2012)
Dallas Buyer’s Club (Movie, 2013)
Interstellar (Movie, 2014)
Gold (Movie, 2016)
Serenity (Movie, 2019) 

 
Favorite Quotes from Matthew McConaughey 
“I do believe in God, but I think it’s very healthy for a believer to spend time in the pragmatism of agnosticism, and I think God appreciates agnostics trying to make a science of it and going, “I will not believe any further than that.” I enjoy that kind of engineering mind. In no way did it ever feel blasphemous to me as a man of faith.” – Matthew McConaughey
“I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I’m for anything life-affirmative. I’m for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who’s different.” – Matthew McConaughey
“Now, you lose something in your life, or you come into a conflict, and there’s going to come a time that you’re going to know: There was a reason for that. And at the end of your life, all the things you thought were periods, they turn out to be commas. There was never a full stop in any of it.” – Matthew McConaughey
“In romantic comedies, there’s a certain ceiling and a floor that you can’t necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy.”  – Matthew McConaughey
“I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I’m trying to pull out of the ground that doesn’t want to come out? I know I’ll win.” – Matthew McConaughey
 
3 Amazing Lessons from Matthew McConaughey
Now that you know all about Matthew McConaughey’s net worth and how he achieved success; let’s take a look at some of the best lessons we can learn from him: 
 
1. Start NOW 
Do you want to be a writer? Start writing. Do you want to be a filmmaker? Start shooting stuff on your phone right now.
 
2. Being a Champion 
There’s a difference between thinking you are a champion and knowing that you are.
 
3. Advice 
The best advice comes from people who don’t give advice.
 
Summary 
Matthew McConaughey is an American producer and actor known for his breakthrough role in ‘Dazed and Confused.’
Today, he is one of the most iconic and famous actors in Hollywood. He has won multiple awards for his movie performances, both in comedic and dramatic roles. 
As of 2022, Matthew McConaughey’s net worth is estimated to be roughly $140 million. 
What do you think about Matthew McConaughey’s net worth? Leave a comment below. 

We would like to  give thanks to the  writer of this article for this  incredible  web content



Matthew McConaughey Net Worth

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What is Matthew McConaughey’s net worth? 




Net Worth:
$140 Million




Age:
52


Born:
November 4, 1969


Country of Origin:
United States of America


Source of Wealth:
Professional Actor


Last Updated:
2021



Introduction 
Matthew McConaughey is one of the most iconic actors in the world.
McConaughey first rose to fame for his performance in the movie ‘Dazed and Confused’ in 1993. Many have considered this movie to be one of his breakout roles.
After several supporting roles in movies such as ‘Angels in the Outfield’ and ‘Texas Chainsaw Massacre: The Next Generation,’ his big breakthrough came as the leading man in the drama ‘A Time to Kill’ in 1996. 
As of 2022, Matthew McConaughey’s net worth is $140 million. 
 
Early Life 
Matthew David McConaughey was born on the 4th of November, 1969, in Uvalde, Texas.
McConaughey was raised by his mother who was a former teacher. His father was involved in the oil industry. His parents divorced two times before they remarried. He has two brothers. 
During his time in high school, McConaughey lived in Australia for a year as part of an exchange program. In 1993, he graduated from college and earned a Bachelor of Science in radio, television, and film.
He ultimately went into acting. 
 
Career 
McConaughey started his career in television commercials.
His big break came in 1993, with his supporting role in ‘Dazed and Confused.’ This role made him a fan favorite, and his line “All right, all right” has become one of his iconic quote moments in pop culture. 
He followed this up with smaller supporting roles in films such as ‘Angels in the Outfield,’ ‘Texas Chainsaw Massacre: The Next Generation,’ and ‘Boys on the Side.’ He rose to fame with his role in ‘A Time to Kill.’ 
In 1998, he appeared in the movie ‘The Newton Boys.’ The film was about a group of brothers from Ulvade who became bank robbers. It generated over $10 million on a $27 million budget.
During the 2000s, his work was dominated by romantic movies. He appeared in a lot of famous movies such as ‘The Wedding Planner,’ ‘Ghosts of Girlfriends Past,’ Fool’s Gold, and ‘Failure to Launch.’ 
McConaughey had a busy year in 2014, and he also appeared in the sci-fi thriller ‘Interstellar.’ The following year, he appeared in the film ‘The Sea of Trees’. In 2017, he starred in ‘The Dark Tower,’ which received negative reviews. He received praise for his role as a stoner in ‘Beach Bum’ even though the movie was seen as a failure. 
As of 2022, Matthew McConaughey’s net worth is estimated to be roughly $140 million. 
 
How Does Matthew McConaughey Spend His Money? 
Matthew McConaughey’s Home 
McConaughey owns an incredible mansion in Austin, Texas. This massive home comes with eight bathrooms and seven bedrooms. It has a massive backyard and a guest house. 
 
Matthew McConaughey’s Charity Work 
McConaughey has helped charities such as Cancer Research Institute, Children’s Defense Fund, Children’s Hospital Los Angeles Communities In Schools of New Orleans, Inc., Melanoma Research Alliance, St. Jude Children’s Research Hospital, The Art of Elysium, and World Vision. 
 
Matthew McConaughey’s Car Collection 
Some of McConaughey’s most notable cars include GMC Yukon XL, Lincoln MKX, 1971 Chevrolet Corvette Stingray, 1981 Chevrolet Camaro Z28, and a Custom Airstream RV. 
 
Highlights 
Here are some of the best highlights of Matthew McConaughey’s career: 

How to Lose A Guy in 10 Days (Movie, 2003)
Failure to Launch (Movie, 2006)
Fool’s Gold (Movie, 2008)
Bernie (Movie, 2011)
Mud (Movie, 2012)
Dallas Buyer’s Club (Movie, 2013)
Interstellar (Movie, 2014)
Gold (Movie, 2016)
Serenity (Movie, 2019) 

 
Favorite Quotes from Matthew McConaughey 
“I do believe in God, but I think it’s very healthy for a believer to spend time in the pragmatism of agnosticism, and I think God appreciates agnostics trying to make a science of it and going, “I will not believe any further than that.” I enjoy that kind of engineering mind. In no way did it ever feel blasphemous to me as a man of faith.” – Matthew McConaughey
“I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I’m for anything life-affirmative. I’m for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who’s different.” – Matthew McConaughey
“Now, you lose something in your life, or you come into a conflict, and there’s going to come a time that you’re going to know: There was a reason for that. And at the end of your life, all the things you thought were periods, they turn out to be commas. There was never a full stop in any of it.” – Matthew McConaughey
“In romantic comedies, there’s a certain ceiling and a floor that you can’t necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy.”  – Matthew McConaughey
“I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I’m trying to pull out of the ground that doesn’t want to come out? I know I’ll win.” – Matthew McConaughey
 
3 Amazing Lessons from Matthew McConaughey
Now that you know all about Matthew McConaughey’s net worth and how he achieved success; let’s take a look at some of the best lessons we can learn from him: 
 
1. Start NOW 
Do you want to be a writer? Start writing. Do you want to be a filmmaker? Start shooting stuff on your phone right now.
 
2. Being a Champion 
There’s a difference between thinking you are a champion and knowing that you are.
 
3. Advice 
The best advice comes from people who don’t give advice.
 
Summary 
Matthew McConaughey is an American producer and actor known for his breakthrough role in ‘Dazed and Confused.’
Today, he is one of the most iconic and famous actors in Hollywood. He has won multiple awards for his movie performances, both in comedic and dramatic roles. 
As of 2022, Matthew McConaughey’s net worth is estimated to be roughly $140 million. 
What do you think about Matthew McConaughey’s net worth? Leave a comment below. 

We would like to  give thanks to the  writer of this article for this  incredible  web content



Matthew McConaughey Net Worth

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